From - Sat Apr 25 18:01:02 1998 Return-Path: Received: from research.att.com (research-clone.research.att.com [135.207.30.100]) by hermes.research.att.com (8.8.7/8.8.7) with SMTP id UAA10597 for ; Fri, 24 Apr 1998 20:59:08 -0400 (EDT) Received: from cmn23.stanford.edu ([36.49.0.102]) by research-clone; Fri Apr 24 20:57:29 EDT 1998 Received: (from cc@localhost) by cmn23.stanford.edu (8.8.8/8.8.8) id RAA00832 for jba@RESEARCH.ATT.COM; Fri, 24 Apr 1998 17:57:27 -0700 (PDT) Received: by NeXT.Mailer (1.118.2) Message-Id: <199804250057.RAA00832@cmn23.stanford.edu> MIME-Version: 1.0 (NeXT Mail 3.3 v118.2) In-Reply-To: <199804241556.IAA19542@ccrma.stanford.edu> X-Nextstep-Mailer: Mail 3.3 (Enhance 1.3) X-UIDL: 893471021.010 From: Chris Chafe Date: Fri, 24 Apr 98 17:57:27 -0700 To: jba@research.att.com Subject: Re: An idea whose time has com: NetBib References: <199804241556.IAA19542@ccrma.stanford.edu> Content-Type: text/plain Status: U X-Mozilla-Status: 8011 Jont, This is wonderful. Here's mine (hope the format isn't too much of a hassle): \bibitem{dummy}{ C.\ Chafe, {Statistical Pattern Recognition for Prediction of Solo Piano Performance}, {\it Proc.\ Intl. Computer\ Music\ Conf.} Thessaloniki, Greece, Sept. 1997.} \bibitem{dummy}{ C.\ Chafe, {On Collaborations, Documents and Talking to a TV}, {\it Proc.\ 1997 Symposium on Science, Art, Internet, MultiMedia} Mozarteum, Salzburg, Austria} \bibitem{dummy}{ C.\ Chafe, S. \ O'Modhrain {Musical Muscle Memory and the Haptic Display of Performance Nuance}, {\it Proc.\ Intl. Computer\ Music\ Conf.} Hong Kong, Sept. 1996.} \bibitem{dummy}{ C.\ Chafe, {Adding Vortex Noise to Wind Instrument Physical Models}, {\it Proc.\ Intl. Computer\ Music\ Conf.} Banff, Sept. 1995.} \bibitem{dummy}{ also as, {Adding Vortex Noise to Wind Instrument Physical Models}, {\it Proc.\ 1995 Intl. Meeting on Physical Modeling}, Institute for Psychoacoustic and Music Research, University of Thessaloniki, Greece} \bibitem{dummy}{ C.\ Chafe, {Pulsed Noise and Micro-Transients in Physical Models}, {\it Proceedings of the 1990 Physical Modeling Colloquium}, Grenoble, Editions de la Maison des Sciences de l'Homme, 1994, Paris} \bibitem{dummy}{ C.\ Chafe, {Interplay(er) Machines}, {\it Contemporary Music Review} Harwood Academic Publ. London, [invited, forthcoming] (plus accompanying compact disc with excerpts of 3 compositions)} \bibitem{dummy}{ C.\ Chafe, {Tactile Audio Feedback}, {\it Proc.\ Intl. Computer\ Music\ Conf.} Tokyo, Sept. 1993.} \bibitem{dummy}{C.\ Chafe, {Dream Machine '90} , \it{ Computer Music Journal} fall, 1991.} \bibitem{dummy}{C.\ Chafe, {Pulsed Noise and Micro-Transients in Physical Models} {\it Proceedings of the 1990 Physical Modeling Colloquium} Grenoble, FR September 1990. also STAN-M-65, CCRMA Stanford University} \bibitem{dummy}{C.\ Chafe, {Pulsed Noise in Self-Sustained Oscillations of Musical Instruments} {\it Proceedings of the IEEE International Conf.\ Acoust.\ Sp.\ and Sig.\ Proc.} Albuquerque, NM April 1990.} \bibitem{dummy}{ R. Schumacher and C.\ Chafe, {Detection of Aperiodicity in Nearly Periodic Signals} {\it Proceedings of the IEEE International Conf.\ Acoust.\ Sp.\ and Sig.\ Proc.} Albuquerque, NM April 1990.} \bibitem{dummy}{ C.\ Chafe, {Computer Music: New Models for Synthesis and Analysis} {\it International Symposium, Computer World} Kobe, October 1988.} \bibitem{dummy}{ C.\ Chafe, {Simulating Performance on a Bowed Instrument} In M.\ Mathews, ed., \it Current Directions in Computer Music. \rm MIT Press, Cambridge, MA, 1989. Also published as Center for Computer Research in Music And Acoustics Report No. STAN-M-48, May 1988.} \bibitem{dummy}{ C.\ Chafe and D.\ Jaffe, {Source Separation and Note Identification in Polyphonic Music} {\it Proc.\ IEEE Conf.\ Acoust.\ Sp.\ and Sig.\ Proc.} vol.\ 2, pp.\ 25.6.1-25.6.4, Tokyo, April 1986.} \bibitem{dummy}{C.\ Chafe (consultant to the editors), {A New Definition of Control} In \it Input/Output. \rm by the editors of Time-Life Books, Alexandria, Virginia, 1986.} \bibitem{dummy}{ C.\ Chafe, {Bowed String Synthesis and Its Control From a Physical Model} Music Dept.\ Tech.\ Rep.\ STAN--M--32, Stanford University, 1986.} \bibitem{dummy}{ C.\ Chafe, J.\ Smith and P.\ Wood, {Current Work at CCRMA: An Overview} {Proc.\ 1986 Int.\ Conf.\ Computer Music} P.\ Berg, ed., The Hague, Computer Music Assoc., 1986. } \bibitem{dummy}{ C.\ Chafe, D.\ Jaffe, et al.\ {Techniques for Note Identification in Polyphonic Music} {Proc.\ 1985 Int.\ Conf.\ Computer Music} B.\ Truax, ed., Vancouver Canada, Computer Music Assoc., 1985. Music Dept.\ Tech.\ Rep.\ STAN--M--29, Stanford University, July 1985.} \bibitem{dummy}{ C.\ Chafe, B.\ Mont-Reynaud and L.\ Rush, {Toward an Intelligent Editor of Digital Audio: Recognition of Musical Constructs}, \it{ Computer Music Journal} 6:1 pp. 30--41, 1982.} \bibitem{dummy}{ C.\ Chafe, {A Comparison of Timbres Inherent in Traditional Violoncello Playing} \it Catgut Acoustical Society Newsletter, \rm vol. 29, pp. 19-22, 1978.}